
Hey there, darlings! We had the absolute pleasure of sitting down with the incredibly talented Jessica Aszkenasy, a theatremaker and performer who’s shaking things up with her latest show, TitClown. This isn’t just any performance – it’s a wild ride of humor, depth, and unapologetic rawness that’ll have you laughing and thinking all at once.
Running from July 30 – August 24 at Assembly Roxy’s Snug Bar in Edinburgh, TitClown is your chance to see Jessica in her element. Want to snag tickets or get the full scoop? Click here and join the fun. Trust us, you won’t want to miss this!
Jessica’s journey, both on stage and through her OnlyFans content, is all about stripping away the glossy facade and embracing the real. So, let’s dive into what makes her tick and how she’s redefining performance on her own terms.
Ever wonder what happens when you toss perfection out the window? Jessica’s got the answer, and it’s as refreshing as a summer breeze. She told us that creating content for OnlyFans taught her to let go of control – a lesson that’s mirrored in her stage work. “It’s never going to be 100% right, and that’s okay,” she muses, with a playful wink in her voice.
“People crave that natural, raw energy – they can spot a fake from a mile away. I’ve learned to show up as I am, whether I’m online or on stage,” Jessica shared with a knowing smile.
That authenticity is what draws fans in, whether she’s baring it all online or commanding the spotlight in TitClown. It’s tempting to play into what you think people want, she admits, but the magic happens when you ditch the script and just be yourself. Isn’t that a vibe we could all use a little more of?
Jessica’s not just about laughs – she’s got a deep well of insight on power and vulnerability. Choosing to show up unfiltered, both on OnlyFans and on stage, has been a game-changer. “There’s strength in being open to messing up,” she explains, adding that audiences are surprisingly forgiving when you’re honest.
Take her hiatus from content creation last year due to Long Covid – she was upfront with her subscribers, and guess what? Many stuck by her side. It’s the same on stage: miss a beat, own it, and the crowd’s still with you. That kind of trust is pure gold.
For Jessica, vulnerability isn’t weakness – it’s a pathway to peace. Whether she’s navigating online spaces or live performances, showing her true self has built a connection that’s both powerful and liberating. How’s that for inspiring?
Let’s talk about the elephant in the room – the tension of being seen, especially as a woman in performance. Jessica’s candid about the internal critic many women face, that pesky voice judging every move. “Learning to let that go is tough, but oh-so exhilarating,” she says with a mischievous grin.
Audiences can be a mixed bag, often more forgiving of men, she notes. Figuring out those boundaries – what they’ll accept from her – has been a journey. Yet, she’s clear: creative pride means doing things her way, not bowing to industry pressures for a specific kind of vulnerability.
Reclaiming the gaze isn’t just about the audience for Jessica – it’s about shrugging off expectations of femininity and success. She’s not here to spill a tragic backstory for applause; she’s doing her “mad shit” for an hour, pubes out and all, making you laugh while she’s at it. Now that’s a power move!
Here’s a hot take from Jessica: financial independence is the secret sauce behind her art. “It’s no coincidence most performers come from privileged backgrounds,” she points out. Twelve years ago, with family responsibilities and financial strain, the Edinburgh Fringe wasn’t even on her radar.
Now, having worked hard to get where she is, Jessica’s savoring the freedom to create on her terms. “My art is my baby, and my body gets me where I want to go,” she says fiercely. Forget mainstream appeal – she’s crafting her quirky shows for pure joy, and we’re here for it.
That independence lets her prioritize passion over pressure. She’s not worried about fitting into a cookie-cutter mold; she’s too busy having a blast making work that’s uniquely hers. Isn’t that the dream we all secretly chase?
Let’s get into TitClown itself – a show that’s as autonomous as it is provocative. Jessica blends the erotic and comic with a cheeky twist, rocking a red Baywatch-style swimsuit that nods to the male gaze while flipping it on its head. Sexy? Sure. Grotesque? Absolutely – and she’s owning it.
“Bodies are weird and funny,” she laughs, reminding us that the female form, so often commodified, is just… well, human. “Tits are just bags of fat – let’s play with that for 50 minutes!” Her satire and absurdity challenge every boundary, proving the grotesque can be seductive if you’re brave enough to go there.
TitClown isn’t just a performance; it’s a statement. Jessica’s inviting us to laugh at the absurdity of it all while rethinking how we see bodies and desire. Ready to see what two “stupid bags of fat” can do? We thought so!